Author Archives: Annie

Canada: Authors, Libraries, and the Public Lending Right Program

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by @AnnieDaylon

Canadian Authors: Did you know that you could be compensated for having books in libraries in Canada? How? Through the Canada Council for the Arts Public Lending Right Program.

Canada book Public Lending Right Program

According to Wikipedia, a Public Lending Right (PLR) program is a program “intended to either compensate authors for the potential loss of sales from their works being available in public libraries, or as a governmental support of the arts, through support of works available in public libraries, such as books, music and artwork.” Twenty-eight countries, including Canada, have such programs.

In Canada, when books are purchased by ( not donated to) libraries, authors may receive compensation over and above the royalty. The compensation comes in the form of an annual payment from the Public Lending Right Program. 

ELIGIBILITY:
Who is eligible?
Canadian citizens who are illustrators, photographers, translators, anthology contributors, or editors with original written contributions are eligible.
What writing is eligible?
Works of poetry, fiction drama, children’s literature, nonfiction or scholarly work are eligible. (more details on eligibility here)
Which Libraries are eligible?
Every year the PLR chooses seven public library catalogues in each language group. According to the PLR website, “The selection of public library catalogues takes into account the desire to include substantial collections and to represent the various regions of Canada.” The list of eligible programs is not broadcast in advance. This is for fairness and to prevent participating libraries from being inundated with purchasing requests from authors.

PARTICIPATION:
How Do Authors Participate?
To participate, authors must register. You will not receive compensation unless you are registered with the Public Lending Right Program. Registration is required annually, between mid-February and May first. You can go to the site now and request an email reminder about registration for 2017. (Registration Link)

PAYMENT:
There is a $50 threshold set for a PLR payment. (For details on the payment scale, go HERE>)
For me, this scale means that

  • If the FVRL (the library system which purchased two copies of one of my titles) is on the list for 2017, and If I register in February of 2017, I get $50 for that year (payment is per title, not per book.)

  • If I land that same title in another participating library system, I get $100. And so on and so on, to a maximum of $350. 

According to Peter Schneider, Manager of the Canada Council for the Arts Public Lending Right Program, the maximum paid to one Canadian author last year was $3500.

I’m in! How about you? Yes?
If you have titles in Canadian libraries, then remember to REGISTER. If you don’t have titles in Canadian libraries, then start by applying to the acquisitions librarian in your own community. (See previous blog post: How I Got My Indie Novel into the Library System.)

For more information go to: Public Lending Right Program

Do you have any comments about or experience with a Public Lending Right Program? Please share your comments, share this post, and share the wealth! All authors need this support.

Free Short StoryA free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason. 

My best to you,

Annie Signature Light Blue

How I Got My Indie Novel into the Library System

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by @Annie Daylon

 

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I had no idea that indie authors could apply to have books purchased by libraries. When the illustrator of my picture book mentioned it, I delved into research. When Stephanie Hopkins of IndieBRAG asked me to share my journey on their blog, I jumped at the chance.

Here’s a snippet:

At my local library, I spoke with the community librarian who gave me the contact information for the acquisitions librarian.
In my application email to acquisitions, I included:

  • a brief bio;

  •  cover images of available titles (linked to Amazon);

  •  mini-synopses;

  •  website link; and

  •  contact info.

When a couple of weeks passed with no response, I emailed again.
Still no reply.

SEE MORE HERE

ATT: Canadian Authors>>> Did you know that you can be compensated for having your books in (purchased by) Canadian Libraries? Check my next blog post (July 11, 2016) for details!



Free Short StoryA free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason.


 


Many thanks to Stephanie Hopkins, BRAG Medallion, and the Fraser Valley Regional Library System!


My best to you,


Annie Signature Light Blue




 


			

	
	



				
					


	

		
The B.R.A.G. Medallion: A Boost for Indie Authors


				

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by @AnnieDaylon


What is the B.R.A.G. Medallion?


The Book Readers Appreciation Group Medallion is an award bestowed for excellence in indie publication. Awards are given based on plot, characters, writing style, dialogue, copy editing, as well as cover and interior Layout.


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“BRAGMedallion.com is owned and operated by indieBRAG, LLC, a privately held organization that has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe.” ~  Who We Are at indieBRAG 




A B.R.A.G. Medallion is a boost for indie authors. In addition to 10 copies of a gold award sticker, honorees receive reviews on Amazon and Goodreads, mentions on Twitter, and pictures on Pinterest.



The B.R.A.G. website posts news from authors about their readings and publications and displays donated print copies at book expositions.



Recipients also receive an opportunity to do an interview about their winning work and their writing process (an opportunity I jumped at!) These interviews are conducted by Stephanie Hopkins at Layered Pages. 


An excerpt for you, of my B.R.A.G interview …


“Hi, Annie! Thank you for visiting with me today to talk about your latest B.R.A.G. Medallion! First, tell me how you discovered indieBRAG?”


“Happy to be here! Thanks for the invite!


“I discovered indieBRAG on Twitter when another author tweeted that she had received the B.R.A.G. medallion. I followed the indieBRAG link and, impressed with what I read, I submitted my novel, Castles in the Kerrigan Chronicles Indie Brag imageSand which became a B.R.A.G Medallion Honoree. Due to the numerous benefits of indieBRAG—Amazon and Goodreads ratings, tweets, Facebook feature, Pinterest posts, Stickers, and an interview with Layered Pages—I was eager to submit my current release Of Sea and Seed for indieBRAG recognition. I am thrilled to have received the honor a second time.”


“I must say, I adore your book title and cover. Please tell me a little about your story and the inspiration behind it.”


“The Story… Of Sea and Seed is set on the island of Newfoundland….” 


             Read More Here 


 Many thanks to IndieBrag and Interviewer Stephanie Hopkins! 


 Free Short Story

A free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason.


My best to you, 


Annie Signature Light Blue


eNovel-Round-Logo


			

	
	



				
					


	

		
On Self-Editing: A Cautionary Tale


				

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by Annie Daylon


SElf-Editing

Mistakes, I’ve made a few… Are the few worth mentioning? Yes, if mentioning reinforces the lesson and helps other writers. 


Recently, one of my novels was launched into the world with editing errors. The reason for this? My contract with an editor fell through (these things happen). In an attempt to meet my self-imposed deadline and in the absence of a ready-made alternative, I decided to save money by self-editing.  Warning: Don’t do that!


Please note that I am not speaking of content editing here; my content editor was fantastic. I’m talking about proof-reading. I am an avid reader. I am schooled in grammar. Still I messed up. Why?  Perhaps because, knowing the intent of my own words, I just I slid right over the typos toward the expected outcome. 


When, in an aftermarket read, I noted a couple of errors, I sat with them for a while. Do I edit or not? Self-publishing is expensive; authors don’t make a lot of money per book. It was not until the book was purchased by the library that I jumped in to edit mode.


I edited once. Cost $79 (that’s $100 Canadian.) When I read the revised proof, I noticed that I had omitted a word.  


I edited the whole thing again. Another $100. When the proof came back this time, I found one sentence in which I had inadvertently added a word, a tiny, three-letter word. 


I asked the lady at Create Space if it would cost me another $100 to remove that word.


“Yes, Ma’am,” she replied.


I said “Stet,” writer speak for let it stand.


When I am about to release Book II of this series, I will go back and give Book I another sweep or, better yet, hire someone to do it for me.


Work In Progress Badge
I have ( and am) a Work in Progress. Sigh.


As for my work-in-progress thriller, I’m NOT editing it myself.




Dear Readers, my apologies. 


Dear Writers, hire proof-readers.


Dear Everyone, If you notice any mistakes herein, drop a line in the comments. I’ll edit. Guaranteed!


I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason.


My best to  you,


Annie Signature Light Blue




			

	
	



				
					


	

		
Vancouver Visit: Things Are Not Always What They Seem


				

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by @AnnieDaylon


Phone April 277
Things are not always what they seem…


 


Are you writing present-day fiction in a real setting? Are you wondering if you should visit that setting? 


In my last post, My Novels. My Research., I wrote of plans to visit the setting of my work-in-progress…


“My Work-in-Progress is a crime thriller set in present day Vancouver… I have the characters and the details down, most of them anyway. But I want, once again, to walk in the shoes of my characters. This time I will take the Aquabus to Granville Island, visit a café on the beach, shop at Pacific Centre,  detail heritage buildings in the area, and, most importantly, do some people watching.”


Here are a few things I discovered…


    

  1. 

    First of all, since my story takes place in May, I wanted to visit in May. But, when I learned that hotel rates would skyrocket on May first (the onset of the tourist season), I booked my trip for the last week in April. Had I waited the extra week, my hotel cost would have doubled. Ouch!
    

    2. 

  2. 

    I didn’t ride the Aquabus mentioned in my last post. The character in my novel who went to the Farmers Market on Granville Island would have taken the False Creek Ferry because it was closer to her home and therefore much convenient for her. (Good to know!) I followed suit. 
    

    3. 

  3. 

    Before my trip to Vancouver, I watched a TV news report from the shores of English Bay. Certain that shutterstock_212016496the flowers dotting the background field were clover, I wrote about the scent of clover combined with the scent of sea, a combination I remember well from my days in Newfoundland. However, when I strolled through the grass near English Bay , I discovered that there was no clover. The tiny white flowers I saw were daisies. (Things are not always what they seem.) I edited my manuscript.
    

    4. 

  4. 

    In my novel, a main character visits police headquarters. When I wrote the scene (prior to my visit to VPD headquarters), I based the setting on a TV show, one in which the front doors of the police station open to a narrow reception area with a long, open counter manned by a prominent and dominant female officer. On that show, everything on and behind that counter is clearly visible (possibly to make it easier to film).
    
Reality is different. At the VPD Headquarters, there is a long reception counter, yes, but it is separated from the public by (what I assume is) bulletproof glass. As is required of all visitors, I reported in; that meant talking through parallel slats in an intercom to a woman whose voice was distorted by static. I couldn’t describe this person because, due to translucent glass (and my lack of stature), I couldn’t see much other than dark hair and glasses.
    
Another surprise regarding the VPD came in the form of its accessibility. Despite the uniformed attention to detail and the church-like echo of voices in the lobby, there was no sense of keep-away here. I contacted the department ahead of time; I left a message which was responded to in short order. And I was welcomed (with a police escort) into the inner sanctum. (Thank you, VPD!)
    

    5. 



As for the other places mentioned above: I took detailed notes on the architecture and layout of the shopping center wherein I have planted a fictional boutique. I ate a delicious salad at the cafe on which I’m basing the restaurant in my story. And I discovered a heritage building whose ivy-covered exterior and dark-paneled interior suit my needs precisely. 


Back to my opening questions…. Are you writing present-day fiction in a real setting? Are you wondering if you should visit that setting?


My answer… yes! Plan the trip. Immerse yourself in details. Then weave them into your plot.


My best to you,


Annie Signature Light Blue


			

	
	



				
					


	

		
My Novels. My Research. (Vancouver Bound: Boots on the Ground)


				

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by @AnnieDaylon


shutterstock_212016496I am a multigenre author, born in Newfoundland, living in British Columbia. My novels are reflective of my bi-coastal experience in that they are set on the opposite ends of Canada: Newfoundland or Vancouver. The time element is also extreme: I plunk my work anywhere from the 1920’s to the now. The research methods vary, dictated by setting. The Newfoundland novels catapult me into the past: I read and view everything I can find on the historical events and settings. Here, I am focusing on the Vancouver novels (yes, plural because I’m nearing the end of the second) which are set in present-day and require boots-on-the ground research.


My first Vancouver novel, CASTLES IN THE SAND, is set in 2010 in the west end and, in addition to online research regarding the city and the plight of its homeless, I made two specific trips to the city.


On the first trip, I left the comfort of my west-end hotel at the cusp of dawn on a relatively-warm winter day and hiked the full length of Robson Street. Why? To see, hear, and smell the world as my main character, a homeless man, does. When he observes the pigeons strutting the sidewalk, he notices (because I notice for the first time) that the


    

  • 

    “little bastards have red feet.” 
    

    • 



The predominant aroma for him is the smell of coffee (not the smell of ocean air as I had expected.)


    

  • 

    “I take a deep breath so I can suck in the Starbucks. All the beautiful people carry Starbucks.” 
    

    • 



He hears the day beginning, not just generically in the roar of traffic but specifically:


    

  • 

    “The bus engine grumbles…Whooossssh. Air brakes.” 
    

    • 

  • 

    “Won’t be long before the bolts on the door of the shoe boutique behind me twist open. Three bolts. Every morning. Like clockwork. Click. Click. Click.”
    

    • 



 That day, I also walked the Vancouver Seawall, toured Gastown, and ate at the Spaghetti Factory, all the while taking notes. My best discovery? At the end of a long day, while walking back to my hotel on Robson Street , I saw a young man in a white, puffy jacket. He was talking to a homeless man. I didn’t want to interfere but I wanted to eavesdrop, so I strolled past. The young man was saying “Let me help you to a shelter.” I pinged on that. For my novel, I created a new character, a Good Samaritan, who was dubbed “Marshmallow Man” by my main character.


    

  • 

    “Some guy in a puffy, white jacket hovers over me. A marshmallow. A goddam talking marshmallow.”
    

    • 



My second trip to Vancouver was to finalize details. The backstory of my homeless character was that he had lost his home during the real estate crash. I had a specific residence in mind for him, one that I had found in the MLS listings, and walked the area surrounding that very house. I went to the nearby park where my fictional family played. There, I sat on a bench and penned a description of both house and park. I walked the tunnel under the Granville Bridge. And I sat in the foyer of the Central Branch of the Vancouver Public Library where I noticed a pigeon strutting the floor, a pigeon that inspired a caring moment for my homeless character. It was in the library that it occurred to me that all the chattering voices around me melded in to a ghost-like drone, into 


    

  • 

    “whirling ghosts of indiscernible chatter.”
    

    • 



The effect of all that research was not only that I was better-able to detail the journey of my character but also that I am now better-equipped to notice detail daily. (A bonus for a writer.) 


As for current research… My Work-in-Progress is a crime thriller set in present day Vancouver, again in the west end. I have the characters and the details down, most of them anyway. But I want, once again, to walk in the shoes of my characters. This time I will take the Aquabus to Granville Island, visit a café on the beach, shop at Pacific Centre,  detail heritage buildings in the area, and, most importantly, do some people watching.


In short, in a couple of weeks, I’m Vancouver bound. Boots on the ground. Can’t wait!  🙂 


I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. eNovel-Round-Logo


My best to you,


Annie Signature Light Blue 


			

	
	



				
					


	

		
The Legend of Sheila’s Brush


				

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by @AnnieDaylon

Sheila's BrushSheila’s Brush is an idiom used in Newfoundland and it refers to the last big storm of the winter season, a storm that occurs around St. Patrick’s Day. The term comes from an Irish legend which says that Sheila was the saint’s wife (or sister or mother) and that the snow is a result of her sweeping away the old season.


On this mid-March day in this part of British Columbia when buttercups sweep meadows and spring-green tendrils of willows sweep the ground, it’s hard to imagine such a storm. However, I do remember it from life in Newfoundland.  I even referred to it in the following excerpt from my novel, Of Sea and Seed:



“Finally, March showed up, in like a lion. Mother Nature gradually smiled, warming things up a bit, but she frowned again around St. Patrick’s Day, unleashing another storm, the annual Sheila’s Brush. It was the end of the month before the weather settled into lamb.”


According to The Dictionary of Newfoundland and Labrador, Sheila’s Brush usually follows a spell of fairly good weather. If the storm happens after St. Patrick’s Day, a fine-weather spring is on its way. If it happens before St. Patrick’s Day? The name of the storm becomes “Patrick and Sheila” and a bad-weather spring will ensue.


The legend of Sheila’s Brush is not to be ‘brushed’ aside. To this day, there are Newfoundlanders who firmly believe in this and fishers who won’t venture out until the storm has occurred.


I am certain there are many who, as the first day of spring approaches, hope that Sheila will just put away her broom!Happy St. Patrick's Day


 


My best to you,


Annie Signature Light Blue


 


			

	
	



				
					


	

		
A Tribute to Pat Conroy: “My Reading Life”


				

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by @AnnieDaylon 


My Reading Life“Here is all I ask of a book – give me everything. Everything, and don’t leave out a single word.” ~ Pat Conroy


Yesterday I read of the recent passing of author Pat Conroy, probably best know for his novel The Prince of Tides. I love the story, the beauty, the lyricism of Conroy’s fiction but my favorite of his books is a memoir titled My Reading Life. 


My Reading Life is Conroy’s view of life through the books he’s read and through the people who introduced him to those books. This work resonated deeply with me: I related to Conroy’s love of words, to his knowledge of Latin, and to his habit of collecting words and phrases and quotes. I was amazed at how much I learned about this author through his reading choices; I even started a list of the books he’d read, thinking that I would visit them all at some point.


During this list-making  process, I searched the book’s title on Pinterest and discovered to my delight that the list already existed! The title of the Pinterest Board? My Reading Life-Pat Conroy. Thank you to Liz Whittaker for creating this board which is not only a gift for readers like myself, but also an outstanding tribute to avid reader and accomplished author, Pat Conroy. 


RIP, Pat Conroy.


I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. 


My best to you,eNovel-Round-Logo


Annie Signature Light Blue


 


 


 


			

	
	



				
					


	

		
Storyboarding with the W Method


				

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by @AnnieDaylon


sTORYBOARDING


Curious about how authors create their novels? 


Some write freely, discovering the story as they go along. I do that, to a point. Then, with basic plot, key characters, and some scenes in mind, I create an outline.


I have experimented with different ways of outlining, including the use of note cards, step sheets, the Snowflake Method, and software, all of which are detailed by Robbie Blair in Eight Ways to Outline a Novel.  


The method that works best for me is the Storyboard. It is the most tangible, visual, and accessible way of plotting a story. Sometimes I have used a linear model, simply placing chronological plot points on a straight line. 


In my Work-In-Progress, a three-act thriller set in Vancouver, BC, the story takes place over ten days. The details are tight. I want certain characters in a certain place at a certain time and I have to keep track of their every move. Enter: the W Storyboard.


Storyboarding by Mary Carroll Moore 
Storyboarding by Mary Carroll Moore


My W Storyboard is based on Mary Carroll Moore’s model which lends itself well to the three-act structure common in the thriller. 


The first line of the W—top to bottom—gives the story setup. 


The first low mark represents the first portal or turning point. Once a character crosses that threshold, she must continue the journey. There’s no turning back. Either she can’t get back or there is nothing to go back to. (To quote fellow writer Brian Rodda, “The village is burned, the villagers are dead.”) 


Each successive point on the W, as shown in Mary Carroll Moore’s Youtube video, is another portal, another change in direction.


Because I usually know the turning points when I start my storyboard, it’s easy to fill in the portals on the W. After that, I have to get the characters to those portals and that means creating step-by-step details.


Using colorful sticky notes, I write plot points and place them along the lines of the W.  Wonderful things, those sticky notes: I frequently make changes and the notes can be pulled off and popped on easily. (Word of warning: if you plan to use sticky notes, buy the good ones; the cheaper versions tend to lose their stickiness and flit around like butterflies.)


My current storyboard has more than just plot. It includes:


    

  • 

    Dates of Events, displayed on contrasting  sticky notes;
    

    • 

  • 

    Images of actors who represent the visual type I’m trying to portray;
    

    • 

  • 

    Character descriptions, detailing height, weight, hair, skin tone, eye color. (These are mere reference points which help avoid simple mistakes, such as a page 27 green-eyed character becoming brown-eyed on page 215.) 
    

    • 

  • 

    Settings, sometimes written, sometimes images. (One setting in my thriller is a city loft, so I printed out a floor plan that suits my needs and pasted it on the board.)
    

    • 



Mary Carroll Moore states that her W formula is based on a book The Writer’s Time by Kenneth Atchity. The revised version, one which I am about to download, is on Kindle. The new title? Write Time: Guide to the Creative Process, from Vision through Revision-and Beyond. 


If you are an outliner, do you have any outlining tips? 


If you are a pantser, what are your thoughts about outlining?eNovel-Round-Logo


I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. 


My best to you,

Annie Signature Light Blue


 


 


 


 




			

	
	



				
					


	

		
Handwriting: From Tool to Art


				

			  by  		

			


		

		
by @AnnieDaylon


shutterstock.com


My cursive is cursed!


Recently, when I received a handwritten letter from a friend, I chose to abandon my keyboard and respond in cursive. Alas. My lengthy days on the computer came back to bite me. I found myself hesitating over handwriting’s loops and swirls. I also experienced growing agitation when the deletion of errors resulted in scrawls and scratches. I discarded my first attempt and started again. I had only written a few lines when I paused and questioned my spelling. It actually crossed my mind that the word I was staring at must be accurate: if not, wouldn’t there be a red, squiggly line under it? 🙂 


On the heels of amusement came a streak of sadness.  How computer dependent I have become! Am I losing my ability to hand write?


Years ago, as a teacher, I was on the side of keeping handwriting as a part of the curriculum. Later, as a volunteer at a writers’ conference where it was my job to assist writers with registration, I was appalled at meeting young writers who could barely sign their names. The awkward curl of their fingers around a pen brought to mind images of children—six-year-old students—gripping stubby pencils.


After seven years as an author, one who gets words on the page through typing or voice-activated software, I see things differently. Why would those young writers have been comfortable using pens when such activity was not a part of their daily lives? Handwriting feels awkward even to me and I have a solid background in it. The closest I get to handwriting now (in daily journals, in note-taking, and on science-display storyboards which are awash with colorful, post-it notes) is hand printing. Yes, I can still use handwriting. But would I choose it? No.


And I can foresee a time when no one will.


Still, I wonder at the dependence on technology. My parents’ generation, the greatest generation, the now dying generation, could do darn near anything: fish, hunt, sew, build, design, farm, sow, reap, print, and write in elegant cursive. What if, in some dystopian universe, today’s society loses all its tech assistance?  We would, I believe, have to start from scratch, learning once again to curl our fingers around a pencil.


My hope is that handwriting survives. It is beautiful and personal. I used to think it a valuable tool. Now? I still appreciate its beauty. 


But, for me, it has moved from tool to art.


I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. 


My best to you,eNovel-Round-Logo


Annie Signature Light Blue